Indian Country Noir Page 20

  He was waiting his turn at the craps table, betting against the shooter and winning steadily as the dice stayed cold, with one shooter after another rolling craps a few times, then finally getting a point and promptly sevening out.

  She didn't know dice, didn't care about gambling. Something about this man had drawn her, something about the wig that was not a wig, and she stood beside him and breathed in his aftershave-an inviting lemon-and-leather scent, a little too insistent but nice all the same. The string tie, she saw, had a Navajo slide, a thunderbird accented in turquoise.

  Here in Michigan, the slide and its owner were a long way from home.

  "Seven," the stickman announced. "New shooter coming out."

  And the dice passed to the man with the great haircut.

  He cradled them in his palm, held them in front of her face. Without looking at her he said, "Warm these up, sweet thing."

  He'd given no indication that he was even aware of her presence, but she wasn't surprised. Men generally noticed her.

  She took hold of his wrist, leaned forward, blew warm breath on the dice.

  "Now that's just what was needed," he said, and dropped a black chip on the table, then gave the dice a shake and rolled an eleven. A natural, a winner, and that doubled his stake and he let it ride and rolled two sevens before he caught a point, an eight.

  Now it became hard for her to follow, because she didn't know the game, and he was pushing his luck, betting numbers, scattering chips here and there, and rolling one combination after another that managed to be neither an eight nor a seven. He made the point, finally, and the one after that, and by the time he finally sevened out he'd won thousands of dollars.

  "And that's that." He stepped away from the table, turning to take his first good long look at her. He wasn't shy about letting his eyes travel the length of her body, then return to her face. "When you get lucky," he said, "you got to ride it and push your luck. That's half of it, and the other half is knowing when to stop."

  "And you're stopping?"

  "For now. You stay at the table long enough, you're sure to give it all back. Luck goes one way and then it goes the other, like a pendulum swinging, and the house always has more money than you do and it can afford to wait you out. Any casino'll break you in the long run, even a pissant low-rent Injun casino way the hell up in the Upper Peninsula." He grinned. "But in the long run, we're all dead-so the hell with the long run. In the short run, a person can get lucky and do himself some good, and it might never have happened if you didn t come along and blow on my dice. You're my lucky charm, sweet thing."

  "It was exciting," she said. "I don't really know anything about dice-"

  "You sure know how to blow on 'em, darlin'."

  "-but once you started rolling everything happened so fast, and everybody got excited about it-"

  "Because the ones who followed my play got to win along with me."

  "-and I got excited too."

  He looked at her. "Excited, huh?"

  She nodded.

  "And now," he said, "I suppose it's passed, and you're not excited anymore."

  "Not in the same way."

  "Oh?"

  She allowed herself a smile.

  "C'mon," he said. "Why don't we sit down and have ourselves some firewater."

  They took a table in a darkened corner of the lounge, and a dark-skinned girl with braids brought their drinks. He'd ordered a Dirty Martini, and she'd followed his lead.

  "Olive juice," he explained. "Gives a little salty taste to the vodka. But I have to say, what I like most about it is just saying the name of it. `A Dirty Martini, please. Straight up.' Don't you like the sound of it?"

  "And the taste."

  "Did you ever tell me your name? Because I can't remember it."

  "It's Lucky."

  "You're kidding, right?"

  "It says Lucky on my driver's license. On my birth certificate it says Lucretia, but my parents didn't realize they'd opened the door for a lifetime of Lucretia Borgia jokes."

  "I can imagine."

  "You can't, because you don't know the whole story. Lucretia is bad enough, but when you attach it to Eagle Feather it becomes really awful, and-"

  "That's your last name? Eagle Feather?"

  "Used to be. I chopped the Lucretia and dropped the Feather and went in front of a judge to make it legal. Lucky Eagle's what I wound up with, and it's still pretty dopey."

  "You're Indian."

  God, he was quick on the uptake, wasn't he? You just couldn't keep anything from this dude.

  "My father's half-Chippewa," she improvised, "and my mother's part Apache and part Blackfoot, and some Swedish and Irish and I don't know what else. I worked it all out one time, and I'm one-third Indian."

  "A third, huh?"

  "Uh-huh."

  "Lucky Eagle Feather," he said. She liked that he was willing to skip the Lucretia part, but still wanted to hold onto that Feather. Made her a little bit more exotic, that's how she figured it. A little more Indian. And hadn't he just finished screwing a bunch of Indians out of a few thousand dollars? So why not screw a genuine Indian for dessert?

  His name, she learned, was Hank Walker. Short for Henry, but he'd been Hank since childhood. Seemed to suit him better, he told her, but it still said Henry on his driver's license. And he'd been born in New Jersey, the southern part of the state, near Philadelphia, but he'd moved west as soon as he could, because that seemed to suit him better too. He indicated the Western shirt, the string tie. "Sort of a uniform," he said, and grinned.

  "It suits you," she agreed.

  He lived in Nevada these days, outside of Carson City. And right now he was driving across the country, seeking out casinos wherever he went.

  "I guess you like to play."

  "When I'm on a roll," he said. "But these out-of-the-way places, I come here for the chips as much as the action."

  "The chips?"

  "Casino chips. People collect them."

  "You sure collected a batch at the crap table."

  What people collected, he explained, just as other collected coins and stamps, were the small, denomination chips the casinos issued, especially the one-dollar chips. At each casino he visited, he'd buy twenty or thirty or fifty of the dollar chips, and they'd be added to his stock when he got back home. He had a collection of his own, of course, but he also had a business, selling chips to collectors at chip shows-who knew there were chip shows?-and on his website.

  "Ever since the government decided the tribes have the right to run casinos," he told her, "they've been popping up like mushrooms. And they come and they go, because not all of the tribes know a whole lot about running a gaming operation. You belong to the tribe that's operating this place?"

  She didn't.

  "Well, nothing against them, and I hope they make a go of it, but there are a few things they're doing wrong." She half-listened while he took the casino's inventory; she had another sip of her Dirty Martini (which, all things considered, sounded better than it tasted) and breathed in his aftershave and an undertone of perspiration.

  He finished his casino critique and reached across the table to put his hand on hers. "Now it seems to me we've got a decision to make. Do we have another round of drinks before we go to my room?"

  For an answer she picked up his hand, lowered her head, and blew her warm breath into his palm. "For luck," she said without looking up, and then her tongue darted out and she licked his palm. His sweat, she noticed, tasted not all that different from the Dirty Martini.

  He had a nice body. Barrel-chested, with a little more of a gut than she might have preferred, and a lot of chest hair. No hair on his back, though, and she supposed he got it waxed at the same salon that provided his million-dollar haircuts.

  Muscular arms, muscular shoulders, and that meant regular gym workouts, because he couldn't have gotten those muscles simply by throwing his own weight around. An all-over tan, too, that probably came from a tanning bed. You coul
d shake your head at the artifice, or you could go with the result-a fit, good-looking man in his late forties, who, it had to be said, was as impressive in the sack as he'd been at the craps table. And if he owed some of that to Viagra, well, so what? He got her hot and he got her off, and what more could a poor girl desire?

  And the best was yet to be.

  Optima futura-that was the Latin for it, and she knew it because it had been her high school's motto. It was, she'd always thought, singularly apt, because anything the future held had to be better than high school.

  Somewhere along the way, after high school years were just a blur, she'd come across some lines from Robert Browning, and perhaps it was the high school motto that made her commit them to memory, but it had worked, because she remembered them still:

  "Part Indian, huh? I bet I know which part is Indian."

  And he reached out a hand and touched the part he had in mind. She put her hand on top of his, rubbed his fingers against her.

  "A third Indian," she reminded him.

  "So you said. You know, I was wondering-"

  She put her hand on him, curled her fingers around him. She worked him artfully, and he sighed.

  "Lucky," he said. "Man, I'd say I got Lucky, didn't I? But I think I'm tapped out for this evening."

  "You think so?"

  "You drained me to the dregs, babe. About all I can do right now is sleep."

  "I bet you're wrong."

  "Oh?"

  "What we did so far," she said, "was just a warm-up."

  "Yeah, right."

  "Can I ask you something?"

  He raised his eyebrows.

  "Have you ever been tied up?"

  "Jesus."

  "Just imagine," she said, her hands still busy. "You're tied up, you can't move, and the entire focus is giving you pleasure. I'll do things to you nobody's ever done to you before, Hank. You think this has been your lucky night? You just wait."

  "Uh"

  "I've got all the gear in my bag," she said. "Everything we could possibly need. You're gonna love this."

  Handcuffs, silk scarves, nylon cords. She had everything she needed, and she knew just how to employ them.

  The last time she'd done this she'd given her partner a couple of roofies first, and let the pills knock him out before she trussed him up. That had worked fine, but she'd been stuck with a two-hour wait for the son of a bitch to wake up, and who needed that?

  This was much simpler. And he cooperated, putting his hands where she told him, spread-eagling himself on the bed. And making little jokes while she did what she had to do.

  By the time she was done, he was already semi-erect. She wrapped the base with an elastic band. "Sort of a roach motel," she said. "The blood gets in and it can't get out, so you stay firm."

  "Is it safe?"

  "Absolutely," she said. "It's an old Indian trick. Now you can do something for me, and after that everything will be entirely 100 percent for you." And she sat on his face and he did what he was supposed to do, and he was pretty good at it too. He didn't have to be, she was so excited right now that great technique on his part was by no means required, but this made it even better.

  "Now that was just wonderful," she said. She went to her bag, got out the duct tape, and cut off an eight-inch length. "I wanted to do that first," she went on, "because it's our last chance for that particular activity."

  And she slapped the tape over his mouth.

  Oh, the look in his eyes! Worth the price of admission right there. He wasn't quite sure whether this was going to make it even more exciting for him, or whether it was maybe something he ought to worry about.

  But why worry? What good would it do? What good would anything do?

  "See, isn't this neat? You're harder than ever. And you're going to stay that way." She mounted him, felt him swelling impossibly larger inside her. "Mmmm, nice," she said. "Oh, yes. Very nice."

  She rode him for a long time. Her climaxes came one after the other, and all they did was pitch her excitement higher. At last she fell forward, her breasts crushed against his chest. A smooth chest would have been nice, but a hairy chest was nice too. Everything was nice when you could do whatever you wanted, and when you knew just how it was going to end.

  She got up because she wanted to be able to see his eyes now. "I told you some lies," she said. "My name's not Lucky. Or Lucretia, or any of that. My last name's not Eagle, or Eagle Feather, and don't ask me how I came up with all of that on the spur of the moment. As far as I know, I haven't got a drop of Indian blood in me. A third Indian! How could anybody be a third anything? I mean, you've got two parents, four grandparents, eight great-grandparents-I mean, do the math. You're the one who knows all the odds on the craps table, so you would have to know that you can only be half or a fourth or an eighth or three-sixteenths or whatever you are of anything."

  She wagged a finger at him.

  "You weren't paying attention, Hank. Little Henry there was doing your thinking for you. And that's another lie I told you, incidentally. That it's safe to wrap you up like that. If you don't loosen it in time, you can do permanent damage."

  She left the bed, reached into her purse, found the knife. She let him see the blade. She let the tip of the blade graze his cheek as she mounted him one more time.

  "God, it's bigger than ever," she told him. "You're in pain now, aren't you? Oh dear, I'm afraid it's going to get worse. Well, more intense, anyway. Optima futura, you know. That's Latin. It means the best is yet to be. For me, that is. For you, well, maybe not."

  She left with close to five thousand dollars in cash and chips, and stopped downstairs at the cashier's cage to turn the chips into currency. Then she got in her car and started driving.

  She'd left his one-dollar chips in the room. She'd left his credit cards too, and a gold signet ring that had to be worth a few hundred dollars. She took the slide from his string tie, just because she liked it, and she took her cuffs and cords and scarves, because it would be a nuisance to replace them. But she left the elastic band in place.

  And she took the scalp, tucked away in a plastic bag. It was just such good theater to scalp him, what with having been drawn to his hair in the first place, and then the whole Indian motif of their encounter. Before she was halfway done with the process she regretted having begun it in the first place, because even minor scalp cuts bleed like crazy, and when you scalp a person altogether-well, the Indians probably waited to scalp people until they were safely dead, and disinclined to bleed, but she went ahead and finished what she'd started, and it was almost worth it when she shook the scalp in front of him and let him gape at it.

  She'd cleaned up her fingerprints, but she knew she'd left plenty of DNA evidence, and people at the casino could furnish a description of her. But she'd been working variations on this theme for a good long while now, and she always got away with it, so she figured all she could do was play out the string. And she'd ditch his scalp where it wouldn't be found, and the scalping would guarantee a lot of press, along with a manhunt for some unforgiving Indian seeking vengeance for Wounded Knee.

  Yes, she'd just go ahead and play out the string. Because it kept getting better, didn't it? Optima futura. That pretty much said it all.

  Chicago, Illinois

  he Pima Indian huddles on the ground in the foxhole, his M1 rifle propped upright between his legs. He is awake and watchful while his fellow marine, Bill Faulkner, curls up nearby, getting some shut-eye. The darkness is pervasive, and he sees what he thinks might be shadows. Or maybe they aren't. He keeps his ears open, straining to make sense of the rustling noise. Other marines? The enemy? There isn't any way to tell.

  The most important thing is not to fall asleep. He's responsible for keeping himself and Faulkner safe. He has to stay awake. It's not a problem for him, though. If he gets sleepy, he just concentrates on the smell. In the two days they've been on Bougainville, the marines of Easy Company have been pinned down in their foxholes in a monsoon, th
en trapped under the scorching sun. They all stink.

  He turns his head, trying to match shapes to the rustles he hears. He can see better in the darkness out of the corner of his eye than by looking at objects straight on. The change of position causes the stench to hit him again. Not just his own rank body odor, but the smell of blood. And guts. And decaying bodies. Already, there are bodies ready to be shipped home. Young men who knew they'd be the lucky ones to make it back to America-but they'd figured on doing so alive.

  He glances over at Faulkner. He's glad his buddy is able to get some sleep, but he can't figure out how the guy can do it. The adrenaline courses through his own body, keeping him from ever really sleeping. This isn't new. Even back home on the reservation, he could hardly rack up any sack time. Instead of adrenaline, feelings of guilt, remorse, and shame would torture him in the nighttime. Not over anything specific. Or rather, over everything. A white man's purposeful slight. A buddy who made a thoughtless remark. Anything, really. During the day, he could find ways to cope. But at night-that was different.

  He turns his head again to try to see what's going on in the darkness around them. He doesn't hear or see anything, but he strains to listen and penetrate the darkness anyway.

  He feels an abrupt thud that reverberates down his arms, and he hears screaming right next to him. The adrenaline courses through his body at full speed. He doesn't know what just happened, but his rifle seems to have a mind of its own, jerking and pulling out of his hands. He grabs it back by reflex.

  All of a sudden, he realizes what's going on. An enemy soldier tried to sneak up on him, and when he moved to attack, impaled himself on the Indian's bayonet at the end of the rifle.

  He yanks the rifle back, pulling the bayonet out of the Jap's stomach. He's running on animal instinct now. He picks up the rifle in both hands and punctures the enemy soldier's body over and over. He's stabbing the man with his bayonet, but the man keeps moving. He knows he must kill him or be killed. So he keeps thrusting. Again and again, he heaves the rifle downward, pulls it back, hurls it into the man's body.